Bob Bemo 1968

long jump

Tony Duffyperfectly timed shot of Bob Beamonrecord-breaking leap in the long jump event at the 1968 Olympic Games in Mexico City is one of the great sports pictures of the 20th century writes David Clark

THE 1968 Olympic Games, held in Mexico City, are remembered for the controversial  Black Power’salute by American sprinters Tommie Smith and John Carlos, the first Olympic use of the  Fosbury Flop  technique in the high jump and a memorable 400m hurdles gold medal for Britain s David Hemery.

Yet one sporting triumph stands out from all the others: Bob Beamonrecord-breaking long jump, a feat that was, at the time, called leap of the century  It was captured in one spectacular picture by British photographer Tony Duffy.

In 1968, Duffy, a 31-year-old accountant with a passion for sports photography, travelled to Mexico with the aim of shooting pictures that he could sell to newspapers and magazines. However, in his forthcoming memoirs (from which he has kindly allowed AP to quote in this feature), he says that looking back, he was completely underprepared to shoot great sports pictures.

 I had never attended a photo class in

my life or even read a "How To" book on photography; he writes. 1 was always in too much of a hurry to take sports photos to stop and learn how to take them... my main motivation was to be at the events, which was so much more pleasurable than my day job in an accountants  office.

 1968 Olympic

He was shooting with a Nikkormat 35mm SLR camera that had no motordrive and needed to be manually wound on after each frame. To get closer to the action - and make himself seem more professional among the other photographers in Mexico - Duffy bought a 300mm f/4.5 Nikkor-H Auto lens.

On 18 October 1968, he arrived at the start of the afternoon session in the Olympic stadium to find it was only half-full. He had a ticket for a seat high up in the stadium, but as there were empty places further down he talked himself past the stewards into a seat in the front row. From this position, he had a head-on view of

competitors in the men s long jump Commentators had predicted a close competition, with the defending champio Britain s Lynn Davies, keen to retain his gold medal from the 1964 Olympics. Thi favourite, however, was the 22-year-old American Bob Beamon, who had won 22 of the 23 previous events in which he had competed.

Beamon had only just made it into the final after two of his qualifying jumps wen ruled out for overstepping, but he looked relaxed as he prepared to take his first ju of the day. felt very calm, very peaceful later said. I stood there I didnhe< anybody. I was very much focused. Wher jumped, there was nothing but quietness Beamon powered along the track and attained unusual height when he jumped  He hung in the air like Michael Jordan going to the basket. I remember seeing the whites of his eyes,  Tony Duffy recalled in a 1993 interview  with The Independent Duffy took just one image of Beamon s jump (see page 37), shot at 1/500sec at f/4.5. It showed him high off the ground, above the heads of the judges in the background. Duffy s focus is sharp on Beamonhead and torso; the athlete s expression seems to register amazement at just how high and far he is travelling.

As he landed and made his way back down the track, Beamon was unaware of how far he had jumped However, as the officials manually measured the distance with tape measures (he had leaped beyond their electronic measuring device), he began to realise he had achieved something special.

When the distance of 8.90m appeared on the display board over 30 minutes afterwards, Beamon still didn t realise exactly how far he had jumped as he was not used to metric measurements. When he was told that his jump was a massive 29ft 2V6in -almost 22in further than the previous world record - his legs buckled beneath him.

 1968 Olympic Games

Duffy also did not realise what he had achieved.  For the next two days that roll of film was in my pocket, undeveloped, while I rushed from venue to venue, savouring the excitement of my first Olympics,’he says in his memoirs.

After dropping off the film at a one-hour photo kiosk, he collected the negatives the following day to see that the shot of Beamon was in sharp focus.  I still had no idea that

there were only a few photos of the actual record jump and mine was the best of them,  Duffy writes.

After returning to London, Duffy decided to send the photo to AP and it was duly published for the first time, closely cropped on Beamon, in our 4 December 1968 issue (see page 36). Duffy remembers that  the phone started ringing as calls came in for the Beamon shot and the photo began to "fly off the shelves". It gradually dawned on me that I had been fortunate enough to take something special.

The success of this photograph led Duffy to give up his accountancy job in 1971 and the following year he founded the Allsport photo agency in partnership with a photographer friend, John Starr. It quickly became established as one of the worldtop sports photo agencies and remained in business until it was bought out by Getty in 1998 for £29.4 million.

Duffy, now 75, retired and living in California after a successful career in sports photography, says that his Beamon photo has probably been reproduced in to a thousand  different publications worldwide.

The photograph transformed his life and brilliantly captures one of the great sporting achievements of the 20th century. Beamon s world record has only been broken once (by Mike Powell, in 1991) and, 44 years on, it still remains the Olympic record.

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